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Doors

Work on Christ Church’s doors commenced in the fall of 2000. The project was the first in a broader preservation campaign planned for 2001-2004 that included the windows, entablature, and Carter tombs.

Doorways stand on three sides of Christ Church: the west, north and south (the altar faces the east side). On the west side, the principal entrance to the building, the doors are pine and appear to date from the late nineteenth century. The north and south side doors, however, are original and made of black walnut. Though all of them have been repaired on numerous occasions over the life of the building, the Foundation determined in 2000 that a more comprehensive preservation treatment would best ensure their long-term survival.

Conservators from Tidewater Preservation, Inc., in Fredericksburg, Virginia began the project by removing the doors and transporting them back to their workshop. The empty spaces framing them were then sealed up, and a small door was cut into the seal on the south side to provide access to the church.

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A small door cut into the seal on the south side allowed entry to the church during preservation work on the doors.
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View of west door sealed during preservation work
Back in their workshops, the conservators carefully removed the existing, deteriorated paint from all the doors. They applied epoxy repair or wood dutchmen to any weakened or deteriorated wood elements.

On the doors’ interior surfaces, they applied multiple coats of alkyd resin before adding a polished, butchers-wax finish. The exterior surfaces received one coat each of alkyd resin and an alkyd-based primer and two coats of acrylic enamel. Besides these treatments, the conservators also worked to preserve or repair all broken or worn hardware to its original operational design standards.

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   View of the west door    after preservation
Final costs for this project totaled $19,380. By the opening of the season in April 2001, the doors were back on Christ Church. Today, despite the scars of the last three centuries, including numerous initials, marks, and other graffiti, the doors continue to exude the simple elegance that defines much of the building they grace.

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